JULY 22, 2017
“STOP, WAIT AND LISTEN” (WRITER: DAN HRDLICKA)
ARTIST: CIRCUS
RELEASED 1972 ON 7” 45 AND ON CIRCUS LP
“Stop, Wait, Listen,” a small national hit in early 1973, is
a little bit of a lot of things that add up to one hot record. Even without the
Oxford comma.
Circus, a five-piece from Cleveland, cut this record for the
Metromedia label, best known for its teen idol hitmaker Bobby Sherman. While it
also issued discs by Bobby “Boris” Pickett and Butch “Eddie Munster” Patrick,
Metromedia was also home to more progressive bands like Gypsy, Elephant’s
Memory, and the Holy Modal Rounders and R&B from the Winstons and the Three
Degrees.
While it wasn’t R&B, teenybop, or album rock, Circus had
elements of each. The combo was a huge live draw in its hometown, drawing
ecstatic crowds, and had some teen appeal. Everyone in the group was a solid
musician capable of creating tight arrangements, and four of them, including guitarist
Dan Hrdlicka and organist Phil Alexander, could sing.
Strong harmonies were a big part of their sound, putting
them in the good company of contemporary hard-rockin’ American popsters like
Todd Rundgren, Big Star, Crabby Appleton, and two other fine bands from Ohio,
the Raspberries and Blue Ash.
“Stop, Wait and Listen” was a fine representation of their chunky
guitar/organ blend, along with a strong rhythm section and good singers. Filled
with hooks, it was among the real surprise singles of the time period, good
enough to have been a huge hit had it only been heard.
The band’s rabid fan base helped make “Stop, Wait and
Listen” a top ten record in both Cleveland and Columbus, but unfortunately
Circus could not break out nationwide, possibly because the Metromedia label
was having tough times. Bobby Sherman, its biggest artist, was no longer a hit
machine, and the other Metromedia acts did not pick up the slack.
“Stop, Wait and Listen” did register on all three music
weekly magazines’ charts, getting to #91 in Billboard,
#74 in Record World, and #81 in Cashbox before falling short.
Circus recorded a well-regarded album for Metromedia, but
unfortunately it was among the label’s last releases before being merged into RCA.
The album, and follow-up single, “Feel So Right,” were lost in the shuffle.
A great record that was just a couple years ahead of its' time. Boston could easily have learned from this one. Top 10 on MY personal chart back when it was riding the lower Hot 100. WLSClark
ReplyDeleteI would have liked late 70s FM rock a lot better if it had the poppier elements of this!
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