“MUSEUM” (WRITER: DONOVAN LEITCH)
ARTIST: HERMAN’S HERMITS
RELEASED 1967 ON 7” 45 AND ON BLAZE LP
Herman’s Hermits were, for a while, nearly as big as the
Beatles. You could argue that toothy young lead vocalist Peter “Herman” Noone
was the most beloved figure of the British Invasion; he was cute and talented
and cheeky.
From late 1964 through late 1966, the Hermits enjoyed 12
consecutive top 20 hits on the Billboard
chart. All but two were top ten, seven landed in the top five, and two (“Mrs.
Brown You’ve Got a Lovely Daughter” and “I’m Henry VIII, I Am”) made number
one.
In a way, the Hermits were trapped by those #1 hits; they
were tabbed as old-fashioned, retrograde popsters, even though they also sung
hit songs by Ray Davies, P.F. Sloan, and Graham Gouldman, all hip writers amid the
pop cognoscenti.
In early 1967, they rebounded from a relative miss (“East
West”) with the classic “There’s a Kind of Hush,” then made #18 with “Don’t Go
Out in the Rain.” It was the summer of 1967, and everything had changed in pop
music.
The next Herman’s Hermits single was among their finest, a cover
of Donovan’s song “Museum.”
The lyrics both mocked and celebrated the louche
lifestyle of Swinging London’s privileged, those with no job to frequent, the
lazy rich who could keep their own hours.
I drink sweet wine for breakfast. I
slept but an hour or so.
Part of the growth in vernacular songwriting in the 1960s
was an increasing sense of self-awareness, a desire to share one’s view of the
world. Never before had pop musicians sung so stingingly about their immediate
surroundings. Like Ray Davies and the Beatles, Donovan was an A-lister in Swinging
London even while slicing it up with a very sharp knife.
British record wizard Mickie Most produced both Donovan and
Herman’s Hermits. He could never
get a truly commercial version of “Museum” out
of Donovan, but must have thought it was a great match for the Hermits.
By toning down the drums and omitting some of the lyrics, Most
created an easy stroll that stressed the encounter between the singer and a
female companion at London’s Natural History Museum.
Noone’s delivery of the lyrics was not nearly as “knowing”
as Donovan’s; in fact he sounded a little surprised at what independence and
money hath wrought on the rich kids.
There she stood in drag, just
lookin’ cool in Astrakhan*
She looked so wiped out, she
said I looked like Peter Pan.
Yawning in the sun, it’s like a
child I run.
Noone goes on to chide to his young friend, “Don’t do it
if you don’t want to/I wouldn’t do a thing like that.” Sweet, innocent Herman! This wasn’t exactly “Mrs. Brown
You’ve Got a Lovely Daughter.”
When “Museum” debuted on the Billboard charts in late August, just before the kids went back to
school, it performed admirably, shooting from #130 to #76 to #62 to #49 to #39
in its first five weeks. Looks like a hit, right?
Nope. The record immediately ground to a halt, stalling at
#39 and dropping off the chart almost immediately. The Hermits’ career in
America was essentially over; they never made the top 20 again.
What happened?
First, it’s critical to remember the Billboard Hot 100 chart measured sales, radio play, and jukebox
play, not necessarily in that order. Cashbox,
a sales-oriented weekly, had “Museum” climbing all the way to #21, a huge
difference. Record World had it at
#26. But on all the charts, the record was done by the end of September.
“Museum” simply stalled in the 20s in New York, Chicago,
and Philadelphia, according to local radio station surveys. It reached only #19
in Los Angeles and received no noticeable airplay in the Bay Area, Detroit, or
Houston. The song failed to go top 10 in any major market.
Some would say that the record failed because Herman’s
Hermits just weren’t hip anymore, that their kind of pop fell out of fashion
during the Summer of Love. But I wonder if what happened was that MGM simply
didn’t promote “Museum” very hard.
I posit this because as “Museum” was
stalling on the charts, MGM was pushing a new record, “The Rain, the Park, and
Other Things,” by the Cowsills. This was the family band’s first record on the
label, and MGM’s only other record on the charts.
It’s not hard to imagine someone at MGM deciding, for
some reason, to pull advertising and promotion on the Hermits and throw it all
behind the Cowsills—who if anything were lighter, less consequential, and less
satisfying than Herman’s Hermits.
“The Rain, the Park, and Other Things” is a nice enough
single, and it was a top five hit. Did MGM have a bigger “piece” of the
Cowsills’ income because they didn’t have to license their records from Mickie
Most? Maybe.
Record promotion/plugging/payola was a dirty business,
and good records suffered for what appears to be, for those on the outside, no
good reason. I believe that this was the case here. “Museum” is still excellent
50 years later, but if I were Peter Noone, I would have been pissed off.
*Astrakhan = a fur found in expensive coats.
Stu, INDEED Museum is a great song, but in 1967, I did not care for it. I was 11 and loved Donovan, but to me, it was not the Hermits. Donovan had just "gotten away with" Epistle to Dippy (which was great but what WAS it?) and could have done well with Museum too, but the Hermits? Obviously, they wanted an image change and it did not go with kids. If you go to youtube and watch the great "Inside Pop" in entirety, you will see Noone's 1967 ideals changing. Hear him change the Mrs Brown lyrics in concert to "She wants to return the ring I bought her. Tell her she can flush them down the drain." Soon enough, the Hermits were back in their bag of "Sleepy Joe" and the end had begun. In the UK, they had some terrific hits after their US string ran out. Check them out, but I love the choice of Museum. WLSClark
ReplyDeleteGreat choice, and a really interesting read. I think Donovan is an excellent and versatile songwriter, and doesn't really get his due - although he'll happily tell you about it ��. I think the versatility is particularly obvious when you hear others perform his songs, but I also like how the bit of Donovan-ness comes through, like on this song.
ReplyDeleteThank you both for the comments, by the way. I'm sorry not to have responded--you both make excellent points. Donovan is truly great, and truly knows it...
ReplyDeleteAn amazing production and an incredible song that I loved as an 11 year old, and continued to love and marvel at on the path up to today. But I only heard it back then on the lp "Herman's Hermits Greatest HIts Vol. 3" on which it was sequenced after the Hermits' cover of the Nirvana UK song, "Wings Of Love" (talk about Hermit cool) and never on the radio. The lyrics have continued to fascinate me after 50 years which I think you could say is an accomplishment in itself.
ReplyDelete- G-Syn