MAY 30, 2017
“SALSA YE YE” (WRITER: GUNTHER RICARDO)
ARTIST: LOS PAJAROS
RELEASED 1966? ON MARY…OTILIA…CARMEN…GLORIA
LP
For decades, I’ve had the habit of digging into any record racks
in sight. In the summer of 1985, that meant sifting through albums in a
department store called Gigante in the Nueva Santa Maria neighborhood of Mexico
City.
When this album cover—four young ladies in 60s finery smiling
amidst a splashy multicolored explosion—glared at me, I didn’t hesitate a
second.
Los Pajaros (The Birds) were four Central Americans:
Colombian sisters Carmen and Mary Vargas and Venezuelans Gloria Campos and
Otilia Rodriguez. They recorded at least three albums, with Mary…Otilia…Carmen…Gloria most likely the first. It was issued on
the Discomoda label of Veneuzuela, with a soft cover, and also in a stiff cardboard sleeve by Ibersound, based in Miami.
(Their other U.S. release was Cariñosamente, issued by Philips,
a much larger label. At one point they apparently received an award as
Venezuela’s top group of the year, but I can find no further details about the award,
or even the year. Hit songs are mentioned in that album's liner notes, but I find evidence of only one 45 RPM release, from Mexico.)
Mary…Otilia…Carmen…Gloria
is really all over the place in a wonderful way. One cut, for instance, “Has
Amado Alguna Vez,” is a Spanish-language adaptation of a Hollies song ("Have You Ever Loved Somebody") first
recorded by the Everly Brothers in 1966.
While wrapping your head around how a coterie of Central
American singers might have chosen that,
note that the LP also features boogaloo, bolero, cumbia, R&B, cha-cha, traditional songs, and even some Sunset Strip-styled rock. One number was written by Lucho
Bermudez, Colombia’s top big-band impresario of the 1950s and 1960s.
Los Pajaros on this album offer superb harmonies and personality plus. The
arrangements, by Sergio Olguin, are tight and played with tons of energy Mary…Otilia…Carmen…Gloria reminds me a little of Sergio
Mendes & Brasil ’66’s Equinox, or
the '66-'67 Odell Brown records, or even the Blow-Up
soundtrack: funky, poppy, Latine 60s lounge/club jams. It’s all that, except this one is Latin American in origin.
It would be nice to learn more about Sergio Olguin, and
Gunther Ricardo, who wrote two of the album’s best songs. Most of all, I’d like
to find out what happened to Mary, Otilia, Carmen, and Gloria. Perhaps someone
in Venezuela or Colombia can tell me more. I sure hope so.
For now, I hope you enjoy the groovy, upbeat “Salsa Ye Ye,”
which in title and content sums up the “going in all directions”
feel of this wonderful album.
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